I suppose that something this Vangelis damaged should be run through the VeeThree Concert Hall or Bright Hall algorithms, as these are the closest to what Vangelis was using in the Lexicon 224. You can really hear how I need to calibrate the VCO tuning on the 101 in this example:įinal example: my Moog Rogue going through the Chorus Space algorithm. Don Gunn is running the automation on ValhallaVintageVerb, and is using the Attack knob to crossfade between a gated reverb sound and a long reverb decay. I like the look/sound of Shimmer but was hoping someone with experience could say whether/what it does different to Supermassive. I also programmed a short sequence into the SH-101, and ran it through the VeeThree Ambience algorithm. Im really enjoying the free Supermassive (and also the echo one) and considering showing my gratitude by spending actual cash on a Valhalla product. The Chorus Space algorithm is being used again: The next example uses my beloved SH-101, in some sort of free form track ("free form" being code for "I have no idea what the actual tempo is"). The next example is the Minibrute on its own, in arpeggio mode, running through the Chorus Space algorithm in VeeThree (my shorthand for ValhallaVintageVerb - others have used VVV, or V3, or Vee3, or vVv): ValhallaVintageVerb is in the Random Space mode: The first demo uses an Arturia Minibrute for bass, and my beloved Moog Rogue for the high part. No modular synths - I need to beef up my bare bones modular system now that I finally finished up this plugin. I've posted a few synth-heavy ValhallaVintageVerb demos in the last few days.
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